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These balls can then be exchanged for prizes. Pachinko machines were originally strictly mechanical, but modern ones have incorporated extensive electronics, becoming similar to video slot machines. It emerged as an adult pastime in Nagoya around and spread from there. All of Japan's pachinko parlors were closed down during World War II but re-emerged in the late s. Pachinko has remained popular since; the first commercial parlor was opened in Nagoya in Electricity was used only to flash lights and to indicate problems, such as a machine emptied of its balls. Manufacturers in this period included Nishijin and Sankyo ; most of these machines available on online auction sites today date to the s.

Mechanical pachinko machine from the s. A modern, electronic pachinko machine in a Tokyo parlor. Mechanism[ edit ] Entrance to pachinko parlor in ShibuyaTokyo, Japan To play pachinko, players get a number of metal balls by inserting cash or cards directly into the machine they want to use. These balls are then shot into the machine usually via pulling a lever once for each launch from a ball tray. The balls then fall vertically through an array of pins, levers, cups, traps and various obstacles until they reach the bottom of the machine screen. The player has a chance to get more balls to play with if one of the launched balls hits a certain place during the fall through the Pachinko machine.

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Creation[ edit ] "I was running all over the house grabbing anybody who would listen. I kept reading scenes to them and saying, 'God, this is brilliant [ There are no tricks. Studios in Burbank, Californiain August Though Littlefield nixed their idea, he asked if they would be interested in delivering a pilot script for Miami Nice instead. Their regular writer declined, so Witt asked his wife, Susan Harris[12] who had been planning to retire after the conclusion of their ABC series Soap. After the pilot, the character of Coco was eliminated from the series.

Estelle Getty auditioned and won the role of the feisty mother of character Dorothy Zbornak. This was due, in part, to the rave reviews she garnered in her Off-Broadway role reprisal for the Los Angeles run of Torch Song Trilogy. Afterwards, Getty had returned to New York but gained permission from her manager to return to California in early Getty figured it would be her last chance to find television or film work. She would return home to New York if she was unsuccessful. She was also impressed by Getty's audition for the role of the mother of Stephen Keaton played by actor Michael Gross for a guest episode of Family Ties.

Although Getty was impressive, the show's producers went with another actress. Getty came to Weiner's mind soon after when it became time to begin casting of The Golden Girls. Disney's Michael Eisner explains, "Estelle Getty made our three women into girls. And that was, to me, what made it seem like it could be a contemporary, young show. During an interview inGetty commented on her phobia and expressed how working with major stars, such as Arthur and White, made her even more nervous. At times, she even froze on camera while filming. Eager not to be typecastthey took the suggestion of Sandrich and switched roles last-minute.

Arthur flipped upon reading the script, but felt hesitant about McClanahan's approach, as she did not "want to play their Maude characters Maude and Vivian meet Sue Ann Nivens. Bea Arthur and Betty White worked well together in shared mutual respect but they did not pursue a personal friendship with one another outside of The Golden Girls set. However, both were close to Rue McClanahan off camera. Arthur and White were consummate professionals and thoroughly enjoyed their experiences on the show despite having only a work relationship with one another.

Betty White has always expressed nothing but love and admiration for Bea Arthur. Only after Arthur's death in did she reveal the fundamental personality clash between Arthur and herself. White's positive, perky demeanor would sometimes irritate Arthur. Kathy Speer and Terry Grossman were the first head writers of the series and wrote for the show's first four seasons. As head writers, Speer and Grossman, along with Mort Nathan and Barry Fanaro, who won an Emmy Award for Outstanding Writing the first season, gave general ideas to lower staff writers, and personally wrote a handful of scripts each season.

Richard Vaczy and Tracy Gamble, previously writers on and My Two Dadsalso assumed the roles of producers and head writers. Beginning inMarc Cherry served as writer and producer, years before going on to create Desperate Housewiveswhich ran on ABC from to Hurwitz later went on to create Arrested Development for Fox and later revived for Netflix. Exterior and interior sets[ edit ] The house's address was mentioned as being Richmond Street, Miami. A hurricane that damaged the sets earlier also contributed to this decision. Saltair Avenue in Brentwood, California. This residence was used for outside shots during the first two seasons.

However, the exterior backdrop seen through the kitchen window changed from the view of Chicago high-rises to palm trees and bushes for the Miami setting. Format[ edit ] The Golden Girls was shot on videotape in front of a live studio audience. For example, one or more of the women would become involved in some sort of problem, often involving other family members, men, or an ethical dilemma. At some point, they would gather around the kitchen table and discuss the problem, sometimes late at night and often while eating cheesecake or some other dessert. Some episodes featured flashbacks to previous episodes, flashbacks to events not shown in previous episodes, or to events that occurred before the series began.

One of the actresses on the show, Bea Arthur, actually hated cheesecake.


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